The Unimaginative Liddells: Princess Alyss’ Never-Before-Seen Letters – Part 2

Back in 2007, we collaborated with noted Alyssian historian Agnes MacKenzie to publish Princess Alyss of Wonderland, a stunning collection of letters, journal writings, and art from Her Royal Imaginer Princess Alyss Heart. These breathtaking documents chronicled the incredible childhood of Wonderland’s exiled heir apparent and future hero of The Looking Glass Wars.

In April, we released the first round of never-before-seen letters, journal entries, and art from Princess Alyss Heart’s exile on Earth. Part One spanned Alyss’ flight from Wonderland and how she survived her first days on the rough streets of London. 

When we last left Princess Alyss she had just been arrested by the London bobbies and sent to the notorious Charing Cross Orphanage. In Part Two, Alyss recounts the horrors of this ignominious institute, her disappointment at being adopted by the unimaginative Liddells, and why she tried to break into Buckingham Palace

(*As always, I am indebted to the tireless and exhaustive research of the eminent Wonderland historian Agnes MacKenzie. Her dedication has helped keep the true story of Queen Alyss alive!)


A photograph from around 1909 of the London & South-Western Railway Orphanage, Woking.

Agnes MacKenzie
Worlds collide in this document dated May 24, 1859, when a man of science, Dr. Williford, the physician at London’s Charing Cross Foundling Hospital unknowingly examined a princess from another realm. Written in his precise script, the intake form lists Alyss’ height, weight, and hair color, and contains notes on her attitude and dress. Special attention was paid to the unusual fabric of her dress, “finer than any silk and yet so strong as to repel all stains and misc. damage with the exception of one vicious gash”.  Alyss is described as having luminous coloring, a willful, imperious attitude, and an intense aversion to felines. When asked where her family is she insisted they are in a place called “Wonderland”. The doctor’s keen eye noted the unusual qualities of the child, but his mind could not open to the concept of ‘Wonderland’.  Dr. Williford comments that if her oddness can be contained the wardens have high hopes for placing her in a family of good standing because “the child obviously has quite exceptional bloodlines”. Indeed. 

An intake form from the Charing Cross Foundling Hospital containing the notes of a physical examination of a seven-year-old Princess Alyss Heart of Wonderland.

October 2, 1861
When I was delivered to the orphanage I erupted into a terrible screaming temper tantrum. How dare they???? This place was certainly not meant for children, it must be a prison for something exceptionally evil and nasty. But I was wrong, children were everywhere and the only things evil and nasty living here were the ward mistresses with their stiff collars and drab skirts weighed down with bundles of heavy keys to lock the doors that kept us all from running away. I loathed it there so much that I looked forward to escaping into my dreams each night but even this became unbearable because my dreams soon had a very unwelcome visitor.

The Cat! Each night it would sneak into my sleep and invade my dreams with its growls and hisses and hot, stinky cat breath! It had the stinkiest breath I have ever smelled in a dream!

An illustration, done in the style of a child's drawing, of a giant dark cat attacking a room of sleeping children by artist Catia Chien.

October 8, 1861
Dreams are only nightmares if you let them do what they wish. One night I decided that rather than being frightened of what was chasing me, I would imagine that I was running towards something beautiful. There were endless doors lining the halls and I imagined I would find my mother if I opened the very last door. But when the door opened, instead of seeing her I saw all her favorite flowers. And I could smell her favorite perfume. Eau de’Pink. It smells very PINK and I love it.

A letter written from Princess Alyss Heart to her mother Queen Genevieve on pale pink paper and decorated with red hearts in each corner.
A pale pink envelope addressed to Queen Genevieve of Wonderland decorated with a crude rendition of the Royal Suit Family seal and stamped with "Return to Sender".

November 10, 1861
I was adopted by a very dull and unimaginative family named Liddell and brought to live in their home in Christ Church, Oxford. Living in a home was very different from living in a palace and I found it difficult to adjust as I believe ANY Princess would. Everything was so small and smelled rather of burned vegetables while my bedchamber was just ridiculous.  The bed didn’t even float! How could I even begin to get a perfect night’s sleep???? The Liddells did not believe in Wonderland or that a real princess could come to their world and even though I repeatedly corrected them, they insisted on changing my name to Alice. HOW RUDE!!!!!

An 1859 photograph by Lewis Carroll of Alice Liddell (right) with her older sister Lorina (middle) and younger sister Edith (left).

Agnes MacKenzie
Uncertain of their adopted daughter’s bloodlines and wishing to make a suitable marriage (a prince perhaps???) Henry and Lorina Liddell chose to keep her origin top secret by destroying all records of the adoption, even going so far as to forge an ‘Alice Liddell’ birth certificate which modern genealogical forensics easily exposed to be false! The child was simply not born in this world.

A replica of a Victorian era birth certificate containing details about the birth and parentage of 'Alice Liddell'.

November 11, 1861
In Wonderland I had always remembered my dreams. Why was I unable to remember my dreams now? Aha! I wasn’t sleeping in a dreamgown! When I inquired of Mrs. Liddell when I would be fitted for my dreamgown, she looked alarmed. I explained that in Wonderland there were special gowns in which you slept to capture your dreams. The dreams would be reflected on the gown so you wouldn’t forget anything important. I had closets full of dreamgowns in Wonderland but requested only ONE for here. I thought I was being quite modest but Mrs. Liddell opened her mouth very wide and shouted at me “You must STOP your incessant impossible imagining. You dream too much as it is ALICE!” Dream too much??? How sad to think that anyone could ever dream TOO MUCH. I spent the rest of the day locked in my dark little dungeon of a bedroom imagining and drawing dreamgowns….

An illustration, done in the style of a child's drawing, featuring depictions of the Liddell family, Princess Alyss, and Governess Pricks by artist Catia Chien.
From left to right: Proper sister Lorina – A grown-up lady in the body of a little girl; Cruel Governess Pricks – She actually prefers sour to sweet!; Mr. and Mrs. Liddell – Equally gloomy on all occasions; Me – If it weren’t for my hollizalea headdress and mini-rainbow I should fear becoming just like them!; Baby Edith – There may still be hope for her.

February 22, 1862
Yesterday Mr. and Mrs. Liddell brought Lorina and I to London to visit the exhibition at the Crystal Palace. The palace reminded me very much of Heart Palace and I felt all sorts of sad and glad memories about Wonderland. It also made me remember something VITAL! When I first arrived in London I shot out of that puddle into the center of a parade and saw a golden carriage. There was a woman in the carriage waving to the crowd. It was a Queen!  Had mother traveled here to meet me? I had run after the carriage and chased it all the way to a palace but a row of soldiers blocked my entrance. I told them I was Princess Alyss Heart and ordered them to allow me to pass. At this, they began to laugh. Vowing to return to this palace called Buck-ing-ham I ran back in search of the puddle that had brought me here. I had forgotten all of this until the Liddells brought me on this visit to London. And suddenly I knew what had happened! Mother had followed me to London but had been kidnapped and imprisoned by Redd at the palace known as Buck-ing-ham!!!!! It all made perfect sense and it was up to me to rescue my mother.

February 23, 1862
Enough was enough! How could I pretend to live the childish life of Alice Liddell in her nursery eating porridge when I was certain that Redd had imprisoned my mother in the palace called Buck-ing-ham? This had to be the reason for everything horrible that had happened. Redd had wished to be queen but Wonderland already had a queen, my mother. Redd must have come to London through the Pool of Tears and become the queen known as Victoria! Being the Queen of London was not anywhere as grand as being the Queen of Wonderland and Redd was jealous of my mother so she kidnapped her and locked her in Buck-ing-ham Palace!!!  I was positive that my mother was there now waiting for me to rescue her.

A Victorian-era photograph of the facade and front gate of Buckingham Palace in London, United Kingdom.

February 27, 1862
My preparations complete, I set forth on my mission to rescue my mother from Queen ‘Victoria’ (ha!). I noticed that whenever I thought of seeing my mother my imagination would suddenly become very strong. I would picture my mother and I in the garden at Heart Palace and I would suddenly be filled with all sorts of imaginings on how to get to London and how I would find a pair of jollyjelly wings and sail over the wall past those snickering guards. I had my train tickets, maps, and a packet of peppermints should I become weak from hunger and need energy. I was so excited I could have flown to London. I did consider collecting and pasting bird feathers to my arms and setting off from the roof of the Liddell’s house but I could not find enough feathers.

March 10, 1862
Disaster! Unable to locate a pair of jollyjelly wings I decided to dig my way in under the palace fence. The passage under the fence was a tight fit and horror of horrors I became stuck! I felt a tug on my feet and was soon face to face with the redcoated guards laughing harder than ever. I was imprisoned and given only a very small amount of tea and cake until Mr. Liddell could come and fetch me back to Oxford. Oh, the dreadfulness of my mood. And the worst was yet to come. Governess Pricks was waiting at the front door when we pulled up in the carriage. Her words felt like a storm of pinches as she scolded me for being a selfish, ridiculous child. But as she continued on and on with ever more insults I could only hear my own small voice repeating over and over “How shall I ever return home now?”

An illustration, done in the style of a child's drawing, featuring Princess Alyss being scolded by Governess Pricks by artist Catia Chien.

Agnes MacKenzie
Not long after this ill-fated excursion to London, Alyss was to meet someone who would lift her spirits and give her hope (if only to later smash it to pieces!)


*Stay tuned for Part Three, in which Alyss meets the Oxford mathematician who would change her life forever – Charles Lutwidge Dodgson (Lewis Carroll). 

The Next Alice In Wonderland Adaptation Should Consider These Actresses

Frank Beddor’s “The Looking Glass Warsis THE book trilogy that needs to be a show. As I’m sure some of you know, his books are a dark retelling of Lewis Carroll’s “Alice’s Adventures in Wonderland.” His books are not only a modernized adaptation of a franchise that has sold over 150 million books and has been translated into twice as many languages as Harry Potter, but it’s also got something for every one of us who’s looking for a good story: action, adventure, gut-wrenching drama, archetypes of romance and tragedy that renders nostalgia at once fresh and familiar. The ride that every one of us want to be on? These books embody.

As with any book I read, when I envision the show, I first imagine the potential cast. That’s the fun part, right? Finding the right actors for the characters is paramount…and to quote Martin Scorsese, “90% of directing is casting.”  I’m no director IRL, but after working at a casting agency, producing a few short films, and casting in my head as a writer, I’m no stranger to this process. I put on my “director’s hat” (my beret and do that hand frame thing) – I become “Marty.”  I peer through my looking glass and look for who I’d want to be my ALICE/ALYSS.

But wait, before I go there, let me give you some context for what I’m looking for.  The character of “Alice/Alyss” is complex; there are two sides to her and timelines to follow in which both converge and undergo a massive metamorphosis.  (Do I have your attention yet?)

When Alyss was seven, she was exiled from her home and shot out of a puddle in Victorian London. Once adopted by the Liddell family, her name was forcibly changed to “Alice Liddell” and she was made to believe that Wonderland was only a figment of her girlish imagination. While the truth was never lost to her, Alyss survived by pretending to repress those awesome and awful memories to become what was expected of her: a perfect Victorian lady.

Next, we time-jump to Alice Liddell as this groomed “Victorian lady” entering into high society during the “Season” where eligible young women are matched and married off. Internally, we know (and she knows) she doesn’t belong. But she makes it work – wicked smart, sassy, she plays along — persevering through tough situations, wearing her repressed memories like the fashionable breath-squeezing corsets of the time, wound up like a ticking clock, ready to spring awake if, and when, triggered.

I love this set up for Alice/Alyss.  To me, this juicy backstory and atmosphere is an inexhaustible wellspring for an actress. One from which she would be able to draw vulnerability and hope. There are clear goals and high stakes as her past PURSUES her, ignorance and comforts swept aside as Alyss is forced to confront the hardest truths in order to discover WHO she really is.  These stories give Alyss the role of the “chosen one” – one with a destiny to rectify a great wrong – for humanity and Wonderland. How she does this and at what cost will be the reason we lean in. 

(Uff! Gives me the shivers.)

So now we understand the SCOPE of Alyss/Alice, I, in the role of “Marty,” turn my gaze towards actors who would be able to take on this dynamic duality: repressed Victorian lady destined to be warrior queen of Wonderland.  A character arc that demands a robust core throughout while managing nuanced layers of conceit.

We need a real powerhouse… The actors chosen for this list not only have the raw talent to portray such a complex role but can bring it to the next level.  Without further ado, here are what we consider the best choices for casting Alice:

Anya Taylor-Joy

Anya Taylor-Joy
Anya Taylor-Joy

I think I can safely say with no pushback that Anya Taylor-Joy is having a well-deserved moment after The Queen’s Gambit. See her in The Menu, Last Night in Soho, and Split, and you’d agree that she has the power to draw eyes to the screen and deliver a killer performance. She is adept in period-pieces as seen in The Witch and Peaky Blinders. But really, what gets me are her eyes – their incredible ability to convey depth of emotion, defiance and vulnerability – an absolute must for an Alice Liddell who would be navigating Victorian society while guarding the secret of who she really is deep down. Anya is not only right for the role, but she’d hit it out of the park. I can picture her as a rebellious young woman out of time, couldn’t you?

Daisy Edgar-Jones

Left: Daisy Edgar-Jones, Right: Alice Liddell
Left: Daisy Edgar-Jones, Right: Alice Liddell

Another great contender for Alyss/Alice is Daisy Edgar-Jones.  The fact that she and the real Alice Liddell look like doppelgängers is a little uncanny.  If you’ve seen Daisy’s performance in Normal People (one of my favorites)or Under the Banner of Heaven as Brenda Lafferty, you’d understand her aptitude for range, depth and complex emotions. Daisy made Brenda instantly likeable as a maverick in the ultra-conservative-Mormon Lafferty family she married into, which only amplified the tragedy of her death. She brings a tenacious fire to her acting, one that quietly provokes and or evokes, challenging the audience to meet her where she is.  I imagine Alyss/Alice to be such a character, and it would be fantastic to see Daisy bring her to life.

Emilia Jones

Emilia Jones
Emilia Jones

After a such a distinct and memorable performance in CODA, Emilia Jones exploded onto the scene. The wholesome and yearning character she portrays felt grounded and wise beyond her years; and yet, she could flip back to girlish innocence and first love at the drop of a hat.  For many, she left a powerful impression – made us feel the truth she was carrying for all of us.  I can see her bringing this to the White Imagination wielding Princess Alyss: her face pure and reflective. In interviews, Emilia’s bright personality and infectious laugh makes her a magnet.  With so much life and verve, (and as one of the youngest actors on this list), if given a chance to play Alyss/Alice, Emilia would surely embody her spirit and win our hearts.

Saoirse Ronan

Saoirse Ronan
Saoirse Ronan

Little Women, Lady Bird, The Lovely Bones, Hannah, The Grand Budapest Hotel, The French Dispatch. With a filmography like this, there is no doubt that Saoirse’s got range.  She’s made us laugh, cry, forget ourselves and then remember again, touch those lost limbs, feel phantom pangs. Saoirse’s body of work speaks for itself, and would check every box in anyone’s imaginary list of attributes needed to portray Princess Alyss. Period piece skills? Little Women. Coming of age? Lady Bird. Fantasy/Adventure? City of Ember.

Her ferocity and gymnastic ability to completely transform herself into her characters to enter the landscape of the show is special and rare.  World creation for big fantasy is only as good as the people occupying its space – and if that were our only criteria, Saoirse would own it.  It would be a dream for her to play Alyss/Alice, in all her manifestations.  Whether in our world or Wonderland, if Saoirse jumped into the Pool of Tears, it would be straight into the deep end.

Jenna Ortega

Jenna Ortega
Jenna Ortega

Next, I’d like to introduce a dark horse contender for the role of Alyss/Alice.  Hear me out. I’d like for us to consider Jenna Ortega.  It appears that after Wednesday debuted, no one could stop talking about her – and for good reason. I remember first seeing her acting in the horror movie X, and while she wasn’t yet the star then, her quiet and innocent performance was the standout.

The character Jenna plays in Wednesday, (Wednesday Addams) couldn’t be more different than the Alice I imagined on the surface, but it doesn’t mean she isn’t right for the role. After seeing the way Jenna portrayed Wednesday, as a calm almost monotone character with layers of intrigue and feeling bubbling underneath the surface, so cool and detached, I found her uber interesting.  It certainly showcased her talents as an actor and made me think of her taking on the role of Alyss/Alice in a surprising way.

I don’t know about you, but I like it when actors challenge our assumptions about a piece, and find it exciting to see how someone, a little unexpected, could bring the role to a wholly different dimension.

Florence Pugh

Florence Pugh
Florence Pugh

When I was researching actresses for this list, a friend convinced me that I had to include Florence Pugh. Starring in such films as Midsommar, Little Women, Lady MacBeth, and the recent, Don’t Worry Darling,it seems Florence is only capable of delivering compelling, emotionally raw, and powerful performances. You get the feeling that she holds nothing back.

Florence is her own brand of woman – unapologetic even as she bends and cuts herself open to the audience. Her distinct raspy voice along with a trademark frown rivet us, so much going on behind those eyes. Her energy fills and battles with forces internal and external, holding tension in the most visceral way.  Watching her, I find myself holding my breath… and imagining her doing battle with Queen Redd? Well, I’d like to be ringside for that one. 

Phoebe Dynevor

Phoebe Dynevor
Phoebe Dynevor

Phoebe Dynevor crashed onto the scene with her starring breakout role as Daphne Bridgerton in Shonda Rhimes’s Bridgerton. Her performance in this fictional period piece fits right into the story line for Alice Liddell in The Looking Glass Wars wonderverse. As Daphne, Phoebe portrayed a woman who was groomed to perfectly fit the mold of her society but who questioned and fought against the very ideals and assumptions of that society even as she ascended in position. Much like Alice Liddell, Daphne was swept up in all the decisions that were made for her, but underneath, she had her own headstrong ideas and desires.

Daphne’s coming of age is an awakening of self – especially in an era of dating and matrimony where class, position and stature out-weighs personal feelings and romance. This internal conflict against external circumstance parallels Alice Liddell’s travails. For this role, Phoebe brought grace, fortitude and exquisite vulnerability to her character.  She had the audience rooting for her every step of the way.  Now, to see her wield the power of Light Imagination, who knows what she’ll bring to the table?

Rachel Zegler

Rachel Zegler
Rachel Zegler

Coming in hot, last but not least on our list, is Rachel Zegler. While she has the least acting credits on this list, she is also the only one here who starred in a Steven Spielberg film. The part of Maria in West Side Story won her a Golden Globe — an exceptional and hard-earned performance filled with wit, charm, and musicality.  Rachel as Alyss/Alice would translate across any language in every platform. Her innocence and passion play seamlessly side-by-side – giving her undeniable appeal.


Each one of these talented actresses would bring something unforgettable to the dualistic role of Alyss Heart/Alice Liddell. What do you think of this list? Who would you pick as your favorite? Is there anyone I didn’t mention here that you think would make a good Alice? Put on your “Marty” hat… I’d love to hear your thoughts.


Meet The Author

Jared Hoffman Headshot

Jared Hoffman graduated from the American Film Institute with a degree in screenwriting. A Los Angeles native, his brand of comedy is satire stemming from the many different personalities and ego’s he has encountered throughout his life. As a lover of all things comedy, Jared is always working out new material and trying to make those around him laugh. His therapist claims this is a coping mechanism, but what does she know?