Lost in London: Never-Before-Seen Letters From Alyss’ Adventures on Earth

Back in 2007, we collaborated with noted Alyssian historian Agnes MacKenzie to publish Princess Alyss of Wonderland, a stunning collection of letters, journal writings, and art from Her Royal Imaginer Princess Alyss Heart. These breathtaking documents chronicled the incredible childhood of Wonderland’s exiled heir apparent and future hero of The Looking Glass Wars

Recently, we were astonished to discover a new treasure trove of letters, journal entries, and art from Princess Alyss’ first few years on Earth. This is Alyss’ amazing story in her own words – her harrowing escape through the Pool of Tears, the deep sadness she felt when her imagination began to fade, what it was like to be a princess when everybody thinks you’re just a little girl, her fury at Lewis Carroll for butchering her story, and how she reclaimed her imagination and kept her hope of returning to Wonderland. 

These historic artifacts will be presented in installments over the coming weeks and months. Part One encompasses Alyss’ flight from Wonderland and how she survived her first days on the streets of London. 

(*As always, I am indebted to the tireless and exhaustive research of the eminent Wonderland historian Agnes MacKenzie. Her dedication has helped keep the true story of Queen Alyss alive!)


HALT!!!!

If you have found my journal and intend to read further, BE WARNED that these pages are meant only for those who wish to know the truth. All others are hereby ordered to immediately stop snooping.

HRI (Her Royal Imaginer) Princess Alyss Heart


Illustration by artist Catia Chien of the Birthday Fairies delivering Princess Alyss' birthday cake from the young adult fantasy novel "The Looking Wars" by author Frank Beddor.
My squigberry cake and the Birthday Fairies who appear with every royal cake to sing “Deliriously Happy Birthday to You.” I wish I had been able to slice that cake open and discover what surprise the Royal Bakers baked inside (I had hinted at a singing tiara).

August 5, 1861

I am in this world but not of it. My home is in Wonderland and my name is Princess Alyss Heart. Someday I will return to Wonderland to become Queen. This is the story of how I began to find my way back.

Where to begin? Certainly not at the beginning when all was well, but further into my life, to the afternoon when I discovered the golden kitten in the garden. My best friend Dodge and I had just returned from exploring Wondertropolis, a forbidden excursion outside the gates of the palace when we came across the most peculiar kitten. It was wearing a card that read “Happy Birthday, Alyss.” Since it was my birthday and everyone in the Queendom was giving me gifts, it only made sense that this kitten was for me. Unlike most kittens, who only hiss and purr, this kitten smiled. And that is where all the trouble began.

August 6, 1861

It was I who brought the peculiar kitten inside the palace gate. ME!

And then it ran away and hid somewhere in the palace. I tried to tell Mother and Hatter at my birthday tea about the kitten who smiled, but a horrible LOUD, RUDE crashing sound interrupted, and my Aunt Redd, decks of her card soldiers, and a monstrous CAT exploded into the dining room. The kitten had become The Cat! What happened next was very very fast and seems most shocking and unreal.

Mother and I escaped and I thought that we would stay together, but she sent me away with Royal Bodyguard Hatter Madigan to be kept safe until I was old enough to return to Wonderland as Queen. I begged to stay with her, but she was very firm. I had to leave Wonderland and everyone I ever loved. And I had to leave immediately.

Illustration by artist Catia Chien of the Cat attacking Heart Palace from the young adult fantasy novel "The Looking Wars" by author Frank Beddor.
The kitten who smiled turned into a Cat who moved like a soldier and had claws as long as knives.

Agnes MacKenzie

One of our more recent, and more thrilling, discoveries is the bundle of undeliverable letters addressed to Heart Palace in Wonderland and collected by postmistress Annabelle Smith-White of Christchurch, England. The letters were forwarded to the Lewis Carroll estate, but for an unexplained reason they were returned to Miss Smith-White’s district stamped ‘UNACCEPTABLE’. Descendants of the postmistress donated the bundle to this venture with the hope that their great-great aunt’s postal diligence would finally be recognized. 

Image of a letter from Princess Alyss to Dodge Anders, inspired by the young adult fantasy novel "The Looking Wars" by author Frank Beddor.
Image of an envelope addressed to Dodge Anders bearing a drawn Wonderland seal, inspired by the young adult fantasy novel "The Looking Wars" by author Frank Beddor.

August 10, 1861

When mother ordered Hatter to take me and leave Wonderland, we fled through a looking glass that took us to the Whispering Woods.

Once in the woods Hatter held me tight and ran faster than a spirit-dane. At last, we came to the cliff above the Pool of Tears and looked down into the black water. I had heard that no one ever comes back from the Pool of Tears, but Hatter assured me I would because I would one day return to be Queen. And then we jumped, but not soon enough, as The Cat’s long claws raked out across my birthday gown and tore away a piece. He nearly got me! But before I could scream we hit the water …

Illustration by artist Catia Chien of the Pool of Tears from the young adult fantasy novel "The Looking Wars" by author Frank Beddor.

(continued)

… I know Hatter held me as tight as he could but a tremendous force tore us apart. Poor Hatter! He had promised my mother to keep me safe and Hatters always keep their promises, especially royal bodyguards. I tried to smile to let him know I would be okay, but the water smooshed my face in all different directions and I shot down very, very fast and then I shot up even faster and found myself in this world called London. Alone.

Illustrations by artist Catia Chien depicting Alyss trying to jump into a puddle, from the young adult fantasy novel "The Looking Wars" by author Frank Beddor.
I vow to discover the secret of puddle travel! There simply must be a way of knowing which puddle is THE PUDDLE!

August 20, 1861

My arrival in this world called London was sudden and frightening. I shot up and out of the puddle and found myself standing in the middle of a crowded avenue. Everything was spinning and I was cold and lost and AFRAID. Where was my mother? And where was my royal bodyguard? There was no one to help me in this gray, frightening place. All I could think was that I must return home NOW! In desperation, I began to jump in puddle after puddle searching for the way home until I could jump no more. Then I saw a boy watching me and he was smiling and I knew I wasn’t alone anymore. I was about to meet the most honorable Quigley.

Illustration by artist Catia Chien of Alyss meeting Quigley and the other street children from the young adult fantasy novel "The Looking Wars" by author Frank Beddor.
I didn’t know anyone could look so hungry!

Agnes MacKenzie

From Alyss’ description, it appears she first arrived in London on Whitehorse Street near the intersection of Piccadilly and Half-Moon. I have proposed that a plaque be mounted here to honor the struggles of this honored visitor from another realm.

As thoughtful readers of Dickens will recall, orphans, urchins, and estranged children were an all too common sight on the sooty streets of nineteenth-century London. It seems from Alyss’ journal that she was accepted into a den of street urchins by the boy named Quigley. While Quigley was an open-hearted generous sort, the others were less magnanimous and insisted Princess Alyss pull her own weight in foraging for food and rags. Alyss’ solution was, of course, to use her imagination.

Illustration by artist Catia Chien of Alyss telling stories to the street children around a trash can fire from the young adult fantasy novel "The Looking Wars" by author Frank Beddor.
They believed I was a real princess!

September 15, 1861

Quigley, in his patched clothes and cracked boots, brought me to an alley where he and a group of other very ragged, thin children lived. Everyone was curious as to who I was and where I had come from so I told them about Wonderland and what it was like to be Princess Alyss Heart. Quigley and the others loved my stories but unfortunately, they couldn’t eat them. What could I do to help? As I was thinking very hard I noticed a sad little flower in a cracked pot lying in the alley. To amuse myself I began to imagine the flower humming and soon it was singing in a beautiful high pitched voice. Quigley and the others were amazed. And then I knew.   

We became street performers. I would imagine the flower singing and Quigley would gather the coins tossed by those who stopped to listen. Our first show was a hit. The next show was even bigger. Each day we made enough coins to feed everyone very very well.

Illustration by artist Catia Chien of Alyss making flowers sing for street crowds from the young adult fantasy novel "The Looking Wars" by author Frank Beddor.

(continued)

And then something extraordinarily horrible happened. My imagination began to weaken. Each day the flower’s voice grew fainter and fainter until it stopped singing and once again there was no food. I could not explain to myself let alone the others how I had failed. My imagination had always been with me. To have it fade was like losing my last connection to Wonderland. To eat, we all had to go back to stealing food from the markets. One day we were caught by a pack of London bobbies. The other kids escaped but I was nabbed and taken to the most frightening place I had ever seen, the Charing Cross Orphanage. I never saw Quigley again, though I still look for him.


*Stay tuned for Part Two, in which Alyss braves the brutal Charing Cross orphanage. 

The Next Alice In Wonderland Adaptation Should Consider These Actresses

Frank Beddor’s “The Looking Glass Warsis THE book trilogy that needs to be a show. As I’m sure some of you know, his books are a dark retelling of Lewis Carroll’s “Alice’s Adventures in Wonderland.” His books are not only a modernized adaptation of a franchise that has sold over 150 million books and has been translated into twice as many languages as Harry Potter, but it’s also got something for every one of us who’s looking for a good story: action, adventure, gut-wrenching drama, archetypes of romance and tragedy that renders nostalgia at once fresh and familiar. The ride that every one of us want to be on? These books embody.

As with any book I read, when I envision the show, I first imagine the potential cast. That’s the fun part, right? Finding the right actors for the characters is paramount…and to quote Martin Scorsese, “90% of directing is casting.”  I’m no director IRL, but after working at a casting agency, producing a few short films, and casting in my head as a writer, I’m no stranger to this process. I put on my “director’s hat” (my beret and do that hand frame thing) – I become “Marty.”  I peer through my looking glass and look for who I’d want to be my ALICE/ALYSS.

But wait, before I go there, let me give you some context for what I’m looking for.  The character of “Alice/Alyss” is complex; there are two sides to her and timelines to follow in which both converge and undergo a massive metamorphosis.  (Do I have your attention yet?)

When Alyss was seven, she was exiled from her home and shot out of a puddle in Victorian London. Once adopted by the Liddell family, her name was forcibly changed to “Alice Liddell” and she was made to believe that Wonderland was only a figment of her girlish imagination. While the truth was never lost to her, Alyss survived by pretending to repress those awesome and awful memories to become what was expected of her: a perfect Victorian lady.

Next, we time-jump to Alice Liddell as this groomed “Victorian lady” entering into high society during the “Season” where eligible young women are matched and married off. Internally, we know (and she knows) she doesn’t belong. But she makes it work – wicked smart, sassy, she plays along — persevering through tough situations, wearing her repressed memories like the fashionable breath-squeezing corsets of the time, wound up like a ticking clock, ready to spring awake if, and when, triggered.

I love this set up for Alice/Alyss.  To me, this juicy backstory and atmosphere is an inexhaustible wellspring for an actress. One from which she would be able to draw vulnerability and hope. There are clear goals and high stakes as her past PURSUES her, ignorance and comforts swept aside as Alyss is forced to confront the hardest truths in order to discover WHO she really is.  These stories give Alyss the role of the “chosen one” – one with a destiny to rectify a great wrong – for humanity and Wonderland. How she does this and at what cost will be the reason we lean in. 

(Uff! Gives me the shivers.)

So now we understand the SCOPE of Alyss/Alice, I, in the role of “Marty,” turn my gaze towards actors who would be able to take on this dynamic duality: repressed Victorian lady destined to be warrior queen of Wonderland.  A character arc that demands a robust core throughout while managing nuanced layers of conceit.

We need a real powerhouse… The actors chosen for this list not only have the raw talent to portray such a complex role but can bring it to the next level.  Without further ado, here are what we consider the best choices for casting Alice:

Anya Taylor-Joy

Anya Taylor-Joy
Anya Taylor-Joy

I think I can safely say with no pushback that Anya Taylor-Joy is having a well-deserved moment after The Queen’s Gambit. See her in The Menu, Last Night in Soho, and Split, and you’d agree that she has the power to draw eyes to the screen and deliver a killer performance. She is adept in period-pieces as seen in The Witch and Peaky Blinders. But really, what gets me are her eyes – their incredible ability to convey depth of emotion, defiance and vulnerability – an absolute must for an Alice Liddell who would be navigating Victorian society while guarding the secret of who she really is deep down. Anya is not only right for the role, but she’d hit it out of the park. I can picture her as a rebellious young woman out of time, couldn’t you?

Daisy Edgar-Jones

Left: Daisy Edgar-Jones, Right: Alice Liddell
Left: Daisy Edgar-Jones, Right: Alice Liddell

Another great contender for Alyss/Alice is Daisy Edgar-Jones.  The fact that she and the real Alice Liddell look like doppelgängers is a little uncanny.  If you’ve seen Daisy’s performance in Normal People (one of my favorites)or Under the Banner of Heaven as Brenda Lafferty, you’d understand her aptitude for range, depth and complex emotions. Daisy made Brenda instantly likeable as a maverick in the ultra-conservative-Mormon Lafferty family she married into, which only amplified the tragedy of her death. She brings a tenacious fire to her acting, one that quietly provokes and or evokes, challenging the audience to meet her where she is.  I imagine Alyss/Alice to be such a character, and it would be fantastic to see Daisy bring her to life.

Emilia Jones

Emilia Jones
Emilia Jones

After a such a distinct and memorable performance in CODA, Emilia Jones exploded onto the scene. The wholesome and yearning character she portrays felt grounded and wise beyond her years; and yet, she could flip back to girlish innocence and first love at the drop of a hat.  For many, she left a powerful impression – made us feel the truth she was carrying for all of us.  I can see her bringing this to the White Imagination wielding Princess Alyss: her face pure and reflective. In interviews, Emilia’s bright personality and infectious laugh makes her a magnet.  With so much life and verve, (and as one of the youngest actors on this list), if given a chance to play Alyss/Alice, Emilia would surely embody her spirit and win our hearts.

Saoirse Ronan

Saoirse Ronan
Saoirse Ronan

Little Women, Lady Bird, The Lovely Bones, Hannah, The Grand Budapest Hotel, The French Dispatch. With a filmography like this, there is no doubt that Saoirse’s got range.  She’s made us laugh, cry, forget ourselves and then remember again, touch those lost limbs, feel phantom pangs. Saoirse’s body of work speaks for itself, and would check every box in anyone’s imaginary list of attributes needed to portray Princess Alyss. Period piece skills? Little Women. Coming of age? Lady Bird. Fantasy/Adventure? City of Ember.

Her ferocity and gymnastic ability to completely transform herself into her characters to enter the landscape of the show is special and rare.  World creation for big fantasy is only as good as the people occupying its space – and if that were our only criteria, Saoirse would own it.  It would be a dream for her to play Alyss/Alice, in all her manifestations.  Whether in our world or Wonderland, if Saoirse jumped into the Pool of Tears, it would be straight into the deep end.

Jenna Ortega

Jenna Ortega
Jenna Ortega

Next, I’d like to introduce a dark horse contender for the role of Alyss/Alice.  Hear me out. I’d like for us to consider Jenna Ortega.  It appears that after Wednesday debuted, no one could stop talking about her – and for good reason. I remember first seeing her acting in the horror movie X, and while she wasn’t yet the star then, her quiet and innocent performance was the standout.

The character Jenna plays in Wednesday, (Wednesday Addams) couldn’t be more different than the Alice I imagined on the surface, but it doesn’t mean she isn’t right for the role. After seeing the way Jenna portrayed Wednesday, as a calm almost monotone character with layers of intrigue and feeling bubbling underneath the surface, so cool and detached, I found her uber interesting.  It certainly showcased her talents as an actor and made me think of her taking on the role of Alyss/Alice in a surprising way.

I don’t know about you, but I like it when actors challenge our assumptions about a piece, and find it exciting to see how someone, a little unexpected, could bring the role to a wholly different dimension.

Florence Pugh

Florence Pugh
Florence Pugh

When I was researching actresses for this list, a friend convinced me that I had to include Florence Pugh. Starring in such films as Midsommar, Little Women, Lady MacBeth, and the recent, Don’t Worry Darling,it seems Florence is only capable of delivering compelling, emotionally raw, and powerful performances. You get the feeling that she holds nothing back.

Florence is her own brand of woman – unapologetic even as she bends and cuts herself open to the audience. Her distinct raspy voice along with a trademark frown rivet us, so much going on behind those eyes. Her energy fills and battles with forces internal and external, holding tension in the most visceral way.  Watching her, I find myself holding my breath… and imagining her doing battle with Queen Redd? Well, I’d like to be ringside for that one. 

Phoebe Dynevor

Phoebe Dynevor
Phoebe Dynevor

Phoebe Dynevor crashed onto the scene with her starring breakout role as Daphne Bridgerton in Shonda Rhimes’s Bridgerton. Her performance in this fictional period piece fits right into the story line for Alice Liddell in The Looking Glass Wars wonderverse. As Daphne, Phoebe portrayed a woman who was groomed to perfectly fit the mold of her society but who questioned and fought against the very ideals and assumptions of that society even as she ascended in position. Much like Alice Liddell, Daphne was swept up in all the decisions that were made for her, but underneath, she had her own headstrong ideas and desires.

Daphne’s coming of age is an awakening of self – especially in an era of dating and matrimony where class, position and stature out-weighs personal feelings and romance. This internal conflict against external circumstance parallels Alice Liddell’s travails. For this role, Phoebe brought grace, fortitude and exquisite vulnerability to her character.  She had the audience rooting for her every step of the way.  Now, to see her wield the power of Light Imagination, who knows what she’ll bring to the table?

Rachel Zegler

Rachel Zegler
Rachel Zegler

Coming in hot, last but not least on our list, is Rachel Zegler. While she has the least acting credits on this list, she is also the only one here who starred in a Steven Spielberg film. The part of Maria in West Side Story won her a Golden Globe — an exceptional and hard-earned performance filled with wit, charm, and musicality.  Rachel as Alyss/Alice would translate across any language in every platform. Her innocence and passion play seamlessly side-by-side – giving her undeniable appeal.


Each one of these talented actresses would bring something unforgettable to the dualistic role of Alyss Heart/Alice Liddell. What do you think of this list? Who would you pick as your favorite? Is there anyone I didn’t mention here that you think would make a good Alice? Put on your “Marty” hat… I’d love to hear your thoughts.


Meet The Author

Jared Hoffman Headshot

Jared Hoffman graduated from the American Film Institute with a degree in screenwriting. A Los Angeles native, his brand of comedy is satire stemming from the many different personalities and ego’s he has encountered throughout his life. As a lover of all things comedy, Jared is always working out new material and trying to make those around him laugh. His therapist claims this is a coping mechanism, but what does she know?

The Looking Glass Wars, Season One Outline: Part I

Cold Open:

A seven-year-old girl, clutching the hand of a man dressed in a long, flaring coat and top hat, runs through the dark woods. An overly muscled humanoid-feline with a nasty grin pursues them, leaping from tree to tree, all of which seem to whisper and whine in complaint. The girl stumbles. The man picks her up and races out beyond the edge of the woods to a cliff overlooking a swirling, rainbow-colored pool. He holds the girl tightly in his arms, jumps as—
Behind him, the feline beast lunges from the trees, arms outstretched, dagger-sized claws gleaming.

Splash!

Man and girl plunge into the pool’s depths, deeper and deeper. Panicked, the girl flails, causing the man to lose hold of her. We stay with the girl as her bodyguard—for so the man is—shrinks to nothing in the liquid distance. Currents shift. The girl starts rising, ever upward until she comes flying out of a puddle in the middle of Victorian London.

Alyss and Hatter separated in the Pool of Tears
Alyss and Hatter separated in the Pool of Tears

Oxford, England. 1872.

ALICE LIDDELL (20) jolts awake in bed, scraps of this troubling dream still flashing through her head as her sisters EDITH and VIOLET, singing “Happy Birthday,” enter her room with a cake. Though Alice enjoys local fame from having been Lewis Carroll’s muse years earlier, she appears to be an ordinary middle-class young lady of the era, though in temperament—and in so much else, as we’ll learn—she isn’t the least ordinary.

In Wonderland, Alice (or rather, Alyss) would have been ascending to the throne on this, her twentieth birthday. In our world, the day proves hardly less weighty, her adoptive sisters and mother busying themselves with preparations for a party that will introduce her to society—and, more particularly, to potential suitors.

While others work to marry her off, Alice strives to better the lives of “street urchins” and of children in orphanages/workhouses. Her plan: to open an orphanage that values children’s welfare above profits. In this, Alice is motivated by her own experience (after landing in our world) of living on the streets as a child, then in a foundling hospital, and by her knowledge that not everyone was as lucky as she, to be adopted into a loving middle-class family.

But hallucinations keep plaguing her. Burning eyes and the angry hiss of a cat. Card soldiers being dealt over a palace wall. A queen in white yelling for her to run.

Alice’s persistent visions cause her to think of LEWIS CARROLL, from whom she’s been estranged for years. She long ago suppressed the reasons for their estrangement, but the restless truth still resides within her: that she felt Carroll had betrayed her. Why? When the awful facts of Wonderland were still clearly in her mind, before they had been questioned, denied, and finally driven from her consciousness by the necessity of surviving in this new world, Alice had confided to the shy, retiring Oxford don who worked for her adoptive father. Carroll had seemed to believe that she was indeed a princess of a realm in which imagination was a magical, palpable force. He had seemed to mourn with her over the violence and murder that had upended her formerly charmed life, forcing her and a bodyguard to flee to Earth through The Pool of Tears the night her aunt Redd seized control of Wonderland.

Lewis Carroll Sanitized Alyss's Story With Good Intention
Lewis Carroll Sanitized Alyss’s Story With Good Intention

But then Carroll, who had actually thought Alice’s tale the result of traumas she experienced as an orphan and believed he could rid her of such demons by rendering them as laughable figments, had turned her history into drivel and published it to great popularity.

Living chessmen, a woman in gown of writhing, toothy, roses—

Alice tries to shake off these visions, and as she strives to make her kinder, gentler orphanage a reality, she angers members of the clergy overseeing foundling hospitals, makes an enemy of gang leader JESUS JONES, yet unwittingly gains the support of PRINCE LEOPOLD, Queen Victoria’s youngest son.

Leopold is a fan of Lewis Carroll’s Alice’s Adventures in Wonderland. Sickly in his youth, the prince had spent much his childhood isolated from the world, gazing out of the castle windows, and imagining an adventuresome existence. He had lived vicariously through Carroll’s characters; meeting the woman he knows to have been the author’s muse, he can’t help being instantly captivated.

Spinning blades caught by an expert hand. A man with a top hat disappearing into a liquid distance. Alice finds herself more and more troubled: there’s something familiar about her visions, that she can’t quite place—or perhaps, deep down, refuses to. Which is particularly problematic because, back in Wonderland, Queen Redd becomes aware that her niece Alyss Heart, whom she had supposed dead, is alive.

To eliminate any future threat of Alyss vying for the throne, Redd sends The Cat, a shape-shifting assassin, to Earth through The Pool of Tears. Like the Terminator on the hunt for Sarah Connor, The Cat begins the hunt for Alyss Heart as…

Thousands of miles from Oxford, in a San Francisco asylum, a dirty, disheveled figure rots slowly in a dark cell. Shadows seem to move, and we recognize HATTER MADIGAN, the man in top hat and flaring coat from the series’ opening scene.

Hatter is a soldier in the Millinery, Wonderland’s elite security force. He formerly possessed astounding martial abilities, but ever since he emerged from a puddle where no puddle should be in the Namib Desert, alone, his skills have steadily lessened.

In his cell, Hatter mentally relives the night of the coup, when he abandoned Queen Genevieve (at her urging) to Redd’s wrath, promising to save Princess Alyss so that she might one day return to Wonderland and rule it by the principles of Light Imagination. We get only glimpses of what he remembers. Throughout the season, we’ll see snippets of the coup through the eyes of the characters who were there—just flashes of scenes, giving us hints of that event’s horrific violence without a clear picture of how it all went down. Not until we near our season finale, when Alyss remembers the coup, will we see it in full, from her POV.

Hatter and Alyss Escape Redd’s Coup While Genevieve Fights Back

For now, Hatter’s recollections of that night provide us insight mostly into his own psyche.

He had failed to protect Princess Alyss, his sworn charge, losing her in The Pool of Tears. He had searched the globe for her, following the glow of imagination. Yet lack of success, and years of self-laceration took their toll; the longer he lived with his failure, the more the best parts of him were eaten away until he was weak enough to be subdued by authorities. As a menacing individual spouting insane tales about a lost princess, he was locked in this west coast madhouse.

Hatter’s top hat, the sidekick of a weapon that he can flatten into coptering blades with a flick of his wrist and send slicing through enemies, is essentially locked in its own cell elsewhere in the asylum.

But with the gradual return of Alice’s Wonderland memories comes her power of imagination (the magic of our series). She inadvertently calls forth this power in a tense scene in an old theater, illegally used by Jesus Jones’ gang, that she intends as her orphanage.

And like entangled quantum particles, a supernatural sequence reveals to us that Alice and Hatter are imaginatively entangled. Haunted by her visions of Wonderland and Hatter, she presses a hand directly through a looking glass; half a world away, in Hatter’s cell, that delicate hand emerges from a small mirror.

“Alyss!” Hatter cries.

To be continued…

For More of the World of the Looking Glass Wars, Read These:

Part One: Wonderland’s Imagination Empowers
Part Two: Wonderland Beginnings
Part Three: Roadmap To Phantasia

Alice Is An Alyss’s Kind of Alice In Wonderland

As the Royal Scholar of Wonderland, I, Bibwhit Harte am tasked with peering through the Pool of Tears to see the myriad of creations inspired by Wonderland, from Lewis Carroll’s fanciful novels, Alice’s Adventures in Wonderland  and Through the Looking Glass first published in 1865, to the 1951 animated movie Alice in Wonderland from Disney to the very accurate 2006 New York Times best-selling series The Looking Glass Wars with Princess Alyss by Frank Beddor (https://frankbeddor.com/)

I have been overjoyed and overwhelmed at the response from you, dear readers to my humble Bibwhiticisms. I must admit that when I began this endeavor, I had no idea what a “blog” even was. It sounded to me like something to be avoided, something one might become stuck in or that might have a somewhat offensive odor, but Blogs, I have discovered, are both amusing and informative, two of my very favorite things!

And today’s source of amusement and information is Alice or Alyss. Not the much-celebrated person, Princess Alyss Heart of Wonderland, but the name and the name itself and other interesting Alices. The name Alice or Alyss is an anglicized variant of the Old French Adelaide which is of Germanic origin. The Germanic “adal” means ‘noble’ and “heid” means ‘kind, sort’ hence the meaning of Alice being ‘noble one.’

Both the French Adelaide and the English Alice were well established in medieval times. I believe that our Princess Alyss may have been named after her regal ancestress, Queen Alyssabeth. What? You don’t know the story of Wonderland’s Queen Alyssabeth? I will save that story for another time. Now, we look at some other bearers of this most celebrated name…

We begin appropriately with a Princess, Princess Alice of the United Kingdom. Our first Alice was Grand Duchess of Hesse and by Rhine from 13 June 1877 until her death in 1878 as the wife of Grand Duke Louis IV. She was the third child and second daughter of Queen Victoria of the United Kingdom and Prince Albert of Saxe-Coburg and Gotha.

Alice was the first of Queen Victoria’s nine children to die, and one of three to predecease their mother, who died in 1901. Her life had been enwrapped in tragedy since her father’s death in 1861. It in entirely possible that Alyss met Alice while she was in exile from Wonderland and romantically involved with Alice’s younger brother, Prince Leopold! I must remember to ask her for my research…  

Princess Alice of the United Kingdom

And next a “sort of” Princess, Alice Roosevelt Longworth was an American writer and socialite and the eldest child of U.S. president Theodore Roosevelt and his only child with his first wife, Alice Hathaway Lee Roosevelt. The Roosevelt family was almost considered royalty in the Americas. She was the most eccentric first daughter to ever enter the White House and became the strong-willed and unbridled face of the New Woman movement of the early 1900s.

She danced on the rooftops of millionaires, wore a pet garter snake as an accessory, and needle-pointed “If you haven’t got anything nice to say about anyone, come and sit here by me” on a pillow in her home. Her independent and free-spirited nature breathed new life into the very idea of young womanhood in the early 20th century as the suffrage movement was gaining steam. She sounds an awful lot like another strong-willed Alice I know…

Alice Brady was an American movie actress who began her career in the silent film era and was one of the fortunate few who survived the transition into talkies. She worked up until six months before her death from cancer in 1939. Her films include My Man Godfrey, in which she played the flighty mother of Carole Lombard’s character, and In Old Chicago for which she won the Academy Award for Best Supporting Actress.

For my readers in Wonderland, let me briefly explain what a “movie” is. Similar to the “Video Game” that I described in my previous blog, a movie is a projection of imagination onto a somewhat larger rectangular shaped screen. (Note to self: perhaps a future post could look at some Wonderland inspired movies… hmmm.)

Alice Brady, The American Actress

Alice Walker is an African American writer best known for her fiction and essays that deal with themes of race and gender. Her novel The Color Purple (1982) won the National Book Award and the Pulitzer Prize for Fiction, and she has also published volumes of poetry, criticism, and nonfiction. Walker was the first African American woman to win the Pulitzer Prize for Fiction and was inducted into the California Hall of Fame in the California Museum for History, Women, and the Arts in 2007. Her books have been translated into more than two dozen languages. A most inspiring Alice!

Alice Walker, the Award Winning Author

Next, we have an unexpected Alice… a man! Alice Cooper is an American rock singer whose career spans over 5 decades. With a raspy voice and a stage show that features numerous props and stage illusions, including pyrotechnics, guillotines, electric chairs, fake blood, reptiles, baby dolls, and dueling swords, Cooper is considered by music journalists and peers to be “The Godfather of Shock Rock“.

He has drawn equally from horror films, vaudeville, and garage rock to pioneer a macabre and theatrical brand of rock designed to shock audiences. This combination of drama and darkness would certainly appeal to her royal viciousness, Queen Redd of Wonderland!

Alice Cooper, the Godfather of Shock Rock

Alice Waters  is best known for her love of healthy fresh food, respect for the people and for the land that produces food, her support of farmers who till the soil, her desire to educate children about the benefits of “slow food” (as opposed to unhealthy and ever-present “Fast Food”) and her passion to cook and provide meals that are delicious. Alice Waters was the first woman named “Best Chef in America” in 1992 by the James Beard Foundation. Later she received their Humanitarian Award and in 2009 she was named to the French Legion of Honor, reconnecting her to the source of her life’s work. —

The producing of fruits and vegetables from a tiny seed seems to me to be a form of the Magic of Imagination. As does conjuring a delicious meal from these simple ingredients. Dear Reader, I am loathe to perpetuate “rabbit stereotypes”, but I will share with you that I adore carrots! Carrot soup, carrot cake or a simple raw carrot! Scrumptious!

A Princess, an activist, an actress, an author, a musician and a chef! What a lovely eclectic assortment of Alices! Princess Alyss would be most pleased to share a name with them. Until next time, dear readers!

The Mother of Alyss Heart, Queen Genevieve

For Wonderland’s Queen Genevieve, (White Queen) even the most festive occasions could be clouded by the less savory aspects of governing. Her daughter Alyss (Alice) celebrating a seventh birthday party at Heart Palace was, by contrast, making all economic worries, political concerns, and military threats feel more acute. 

Especially the military threats. 

Unconfirmed reports suggested that Redd (Red Queen) was growing more powerful, in the final stages of outfitting troops for an attack, and Genevieve was no longer sure that her forces could provide adequate defense. 

Needing a moment of solitude, she slipped away to her private rooms, leaving the guests to their entertainments. In a salon filled with overstuffed couches and giant pillows, she studied her reflection in a looking glass. It wasn’t just the political machinations and constant military strategizing that was bothering her. Alyss’s birthday had made her feel old.

Queen Genevieve Heart

She saw lines at the corners of her eyes and framing her mouth. In the not too distant future, Alyss might also find herself prematurely aged by the responsibilities of being a sovereign, although Genevieve hoped not. She wanted to believe that her daughter would handle the crown better than she ever could—she who, at Alyss’s age, and for a good many years after, had never supposed that she would be queen. Her older sister, Rose, was to have ruled Wonderland. And if only Rose—now known as Redd, for her proclivity to bloodshed, hadn’t been so— 

A plume of blue smoke passed between Genevieve and her reflection, interrupting her thoughts. She smelled a familiar spicy-sweet aroma and turned to see a giant blue caterpillar coiled dreamily around his hookah. Ordinarily, Genevieve would have been annoyed to discover anyone in her private sanctuary without having been invited, but this outsize larva wasn’t just anybody.

He was one of Wonderland’s eight caterpillar-oracles who kept watch over the Heart Crystal—the power source for all creation. Whatever passed into the crystal went out into the universe to inspire imaginations in other worlds. An unexpected visit from an oracle was rarely a good thing, but Genevieve wanted to believe that this was one such exception. 

“Your presence is an honor,” she said. “Princess Alyss will be so pleased that you could attend her party.” 

“Ahem hum hum,” grumbled the blue caterpillar, exhaling a cloud of smoke. 

The smoke formed the shape of a butterfly with extended wings, then metamorphosed into a confusion of scenes. Genevieve saw a large cat grooming itself. She saw what looked like a lightning bolt. She saw Redd’s face. Then the smoke again formed the shape of a butterfly, which folded its wings, and Genevieve awoke on a couch with the smell of tobacco in her nostrils. The caterpillar was gone. Her bodyguard Hatter Madigan and a walrus in a tuxedo jacket were standing over her. 

“You must have fainted, madam,” said the walrus. “I will get you some water.” 

The walrus hurried out of the room. The queen remained silent for several moments. 

“The blue caterpillar was here,” she said finally. “I’m not quite sure what he showed me.” 

“I’ll inform General Doppelgänger and the Millinery,” Hatter said. “We’ll be on alert for whatever’s coming.” 

Just once, Queen Genevieve would have liked to relax the watchful vigilance she was forced to maintain every hour of every day to ensure Wonderland’s safety. The caterpillars’ prophecies were always so vague. Sometimes their visions reflected only possibilities, the dark wishes of those who never planned to carry them out. But she couldn’t take a chance, not when it concerned Redd. 

“Make sure not to alarm our guests,” she said. 

It might have been better to end the birthday celebration, however, and had Genevieve lived, she undoubtedly would have scolded herself for not doing so. 

The partygoers were enjoying tea and wondercrumpets in the South Dining Room when a kitten (you might know as the Cheshire Cat) trotted into the room and transformed into a muscled humanoid with a feline head and claws as long and glinting as any blade from Hatter Madigan’s arsenal. The room shook from an explosion, and Redd sashayed in amid a welter of dust and rubble, followed by a mob of rejects from the Wonderland Decks—the platoons of card soldiers that made up a large portion of the queendom’s military.

General Doppelgänger ran behind a curtain and pulled a lever attached to a crank half buried in the floor; the black floor tiles of the room flipped over to reveal a cadre of chessmen—knights, rooks, bishops, pawns—who faced off against the invading card soldiers, blades swinging and bodies falling. 

With a flick of his wrist, Hatter Madigan (the Mad Hatter) flattened his top hat into a series of S-shaped rotary blades, which he sent slicing through the enemy, while Queen Genevieve—out of her chair, sword drawn as soon as she saw The Cat—engaged against Redd’s soldiers two and three at a time, conjuring knives, sabers, and spiked clubs for herself whenever one was knocked from her grip. —

She was always armed with four weapons at once, her imagination swinging two of them, to fend off attacks from behind. If, solely by the power of her imagination, Genevieve could have imagined the invaders dead, piled in a heap in the center of the room—her sister included—she would have. But by imagination alone, nobody could kill a creature that had the will to live.

Which was too bad, because Redd, unharmed in the midst of battle, lifted Princess Alyss out from under a table, held the girl aloft by her hair, and wrinkled her already wrinkled face as if she were clutching some detestable pest.

“Let her go,” Genevieve said, stalling, knowing that Redd wouldn’t. “Please.”

Redd scoffed and spat out words that Genevieve hardly heard, alert for the slightest opportunity to free Alyss, but then Redd conjured a scene—silent, moving phantoms on a screen of red smoke: Genevieve’s husband King Nolan, on his way home from negotiations with neighboring Boarderland, had been ambushed and killed by Redd.

Genevieve lost control of herself. She imagined eighteen dagger-sharp cones into existence and directed them toward Redd; she imagined double-edged spears cartwheeling toward Redd: all of which her sister easily relegated to dust.

Redd had always been the more imaginatively gifted, as Genevieve well knew.

“Ah!”

Redd dropped Alyss, who had stabbed her forearm with something on her necklace.

Queen Genevieve and Princess Alyss

Genevieve grabbed her daughter’s hand and ran to her private rooms, knowing that she wouldn’t survive but also that she didn’t need to—not for Wonderland’s sake—if Alyss could be kept alive.

The humanoid feline pounced at them, seeming to come out of nowhere, but before he could swipe them with a single claw— thwip! — he fell to the floor, a blade in his chest.

Hatter Madigan stepped up to the fallen assassin and pulled his top hat blades free of the mortal wound.

“Take Alyss and go,” Genevieve said to him, pointing at a looking glass. “As far away as possible. You must keep the princess safe until she’s old enough to rule. She’s the only chance Wonderland has to survive.” 

Genevieve knelt in front of Alyss. “No matter what happens, I will always be near you, sweetheart. On the other side of the looking glass. And never forget who you are. Do you understand?” 

“I want to stay with you.” 

“I know. I love you.” 

“No! I’m staying!’ 

Alyss threw her arms around her mother. 

A wall crashed down and there stood Redd, a platoon of card soldiers at her back. “Aw, how sweet. Let’s have a group hug,” she said, hardly looking like the hugging type. 

Hatter picked up Alyss and jumped into the looking glass. Genevieve smashed the glass and turned to face Redd, unable to believe it when, in her peripheral vision, she saw The Cat, on the floor with a gaping hole in his chest, open his eyes. His wound healed and he sprang at her. She conjured a white bolt of energy from her imagination and thrust it into him, killing him a second time. 

Redd laughed derisively and pulled the jagged bolt out of The Cat. The bolt turned crimson in her hand, and she slammed it into the floor; dozens of black roses sprouted from the point of impact, their thorny stems wrapping themselves around Genevieve, pricking and binding her. 

“Well, Gen, what can I say?” Redd seethed. “I’d be lying if I didn’t say that I’m tickled to see you go.” 

Pulling the energy bolt out of the floor, she swung it at her sister’s neck. 

Genevieve’s headless body slumped to the floor, her crown rolling along the polished stone tiles like a dropped coin.

The House of Hearts: (from left) Princess Rose Heart, Queen Theodora Heart, King Tyman Heart, and Princess Genevieve

Princesses Genevieve and Rose Heart had once been inseparable, their different temperaments complementing each other. Where Redd was opinionated, undisciplined, and flirtatious, Genevieve was quiet, studious, and proper. Both were intelligent. Both were gifted with powerful imaginations, though Redd’s was stronger, and it required little effort for her to imagine into existence what Genevieve had to regularly practice.

Genevieve naturally looked up to her charismatic older sister. She didn’t agree with everything Rose did, but she often wished to be more like her—freer, publicly confident, treating life as if it were a game she’d already deservedly won.

But Rose was heir to the throne, and as the time for her accession drew nearer, the differences that had once brought the sisters together began to push them apart. She became increasingly arrogant and contemptuous. Her lack of discipline, which had seemed like a cavalier disregard for stuffy conventions, evolved into a general unruliness that included more than just dabbling in illegalities.

Again and again, Genevieve found herself trying to defend her sister’s behavior to their mother, Queen Theodora, (Queen of Wonderland). Again and again, she made excuses for Rose’s non-appearance at royal functions, lying for her sister, saying that Rose was sick in bed when she was actually out with sleazy characters, lolling in some artificial crystal den (an opium den of Wonderland).

She frequently tried talking Rose out of her bad behavior.

“Perhaps you shouldn’t doubt Mother in front of her advisers,” she once said. “It comes off as if you’re questioning the queen’s authority, which many see as undermining it.”

“If she makes a dumb decision, I’m supposed to let her?” Rose had answered. “I should just sit back and be quiet and let her compromise my inheritance? Our inheritance, I should say,

although you won’t have the burden of running the queendom.”

She’s spoiled, Genevieve thought, wondering how Rose came to be that way when she herself wasn’t. Their parents hadn’t been particularly indulgent, had sought to instill in them a reverence for Light Imagination, the principles of which were guided by love, a sense of justice and duty to the well-being of others. Genevieve and her sister had grown up surrounded by wealth and privilege, but Genevieve could not help thinking of those less fortunate, whereas Rose seemed to take wealth, privilege, and authority as her due.

Quietly disappointed in her sister, Genevieve still never expected Rose to be removed from succession. Nor did she long for it. She wasn’t grasping or envious; she had no desire to be queen. Yet Genevieve considered it the responsible thing, appropriate to her title and station, to be schooled in swordplay and all things martial.

Besides, it couldn’t hurt for a woman to know how to defend herself.

So, she trained as warrior queens of earlier generations had done, and exercised her imagination daily, gaining impressive control and nuance in her conjuring’s.

Then things worsened: Rose was pregnant and refused to identify the father.

Embarrassed by such disdain for social norms, for the well-being of a child born out of wedlock, Genevieve was ashamed of her sister. But she felt protective, too; Rose—with child, physically sensitive, hormonally wrought—was at her most vulnerable.

Rose gave birth to a healthy girl, but Queen Theodora, enlisting Genevieve in the subterfuge, convinced her that the baby hadn’t survived. Genevieve, who felt guilty about lying to her sister, hoped that the “loss” of the child would induce Rose to improve her behavior. And it’s possible, though doubtful, that it would have, if Theodora hadn’t done what she did next. Genevieve found out only afterward, Rose raging, her voice echoing throughout the palace. 

The eldest Heart daughter had been removed from succession, replaced by the younger. 

Rose burst into Genevieve’s rooms and accused her of having connived for the crown all along. 

Denying this, Genevieve said, “I want the best for you, Rose. I always have. Do I wish that you’d be less stubborn in your refusal to abide by anyone’s rules but your own? Yes, but—” 

Rose swore vengeance. 

“Your inclination for vengeance is part of the problem,” Genevieve tried, but too late; her sister was stalking out of the rooms. 

She did want the best for Rose and believed that she always would, but all scrap of sisterly love disintegrated after Rose sneaked into Theodora’s bedchamber one night and placed a fatal mushroom on her tongue. 

For the good of the queendom, Genevieve was coronated. Furious, Rose threw off her given name in favor of “Redd,” promising that unbridled bloodshed would splatter the doorstep of every Wonderlander. Both sisters gathered their followers and Wonderland succumbed to civil war, during which Redd lived up to her promise. Genevieve proved victorious only because of the superiority of her army. She banished Redd from the realm, and the daily life of Wonderland returned to what might be called “normal.” 

Queen Genevieve ruled judiciously, guided by the precepts of Light Imagination, but never for a second—and especially not after she gave birth to Alyss—did she forget that dark forces were at work in The Chessboard Desert, where Redd had ensconced herself in a bleak fortress dubbed Mt. Isolation. Sooner or later, Genevieve knew, Redd would attack the queendom, and it would require all of her imaginative powers and then some to ensure its survival… and Alyss’s.

Following Hollywood’s White Rabbit Into Wonderland: Curtis Clark

Curtis Clark, one of my Wonderverse collaborators that helped write the Hatter Madigan graphic novels, reflected on the early days of his career in this thoughtful blog. His charming origin story shed light on the fact that unbeknownst to me, I played a bigger role in his journey than I ever knew. We both agreed it would be perfect to share his wonderful words as inspiration for other young writers forging down the same twisty path of breaking into Hollywood & making it big.


It certainly wasn’t Wonderland. It was a bowling alley. A friggin’ bowling alley.

I worked there. One of those just moved to Hollywood jobs. I needed money. Knew nobody. Most days I would bang away on my laptop while seated at the bowling shoe desk. I was the sentry of the stinking soles. I got used to writing through pins scattering, bowling balls clacking, and shoe spray coating my fingers.

One shift, I was red-penning a printed copy of a screenplay I had written. Which, was a very, very cliché Hollywood thing to be doing. I assure you, though, I was actually working on it, not just trying to look like I was working on it. I had somehow finagled getting that script into ICM for script coverage. I was confident it was going to give me my start in the industry as an aspiring author & writer. Which, spoiler, it did not. 

A few hours into the grind, a customer walked in for his kid’s birthday party and saw me marking up my script. He took some small notice of me diligently writing, probably because I was less diligently setting up for his kid’s party. The name on the party sheet read: Frank Beddor.

I had no idea who Frank Beddor was. I didn’t know he had written the best-selling Looking Glass Wars trilogy or that he had produced There’s Something About Mary. Had I known those things, maybe I would have tried to drum up conversation. After all, that is why most people in Hollywood do cliché things like work on a script in public — for those mythological “chance” encounters. Me? I guess I was oblivious. I didn’t even google Frank’s name or anything.

So, not for one second did I imagine that the so-bad-I-can’t-go-back-and-read-it script I was working on would not be my start in the industry, but that this Frank Beddor, and his twist on Alice in Wonderland, actually would. 

When Frank finished bowling, I was still editing away. He asked me what I was working on? During my early days, imposter syndrome dictated I try and sound like a legit writer to just about everybody. So, too-cool-for-school, I filled him in on my momentous, impending script coverage. Which, almost certainly made me sound green as grass. 

Frank told me he was also a writer, but I had never heard of his books. Which wasn’t surprising because at that time I hadn’t even read Lewis Carrol’s Alice’s Adventures in Wonderland (I have several times since). Our conversation seemed destined to peter out as pleasantry, until, serendipitously, Frank asked if I liked comic books, or had written any? What he had no way of knowing was that I had a collection of comics twice the size of the shoe wall I stood in front of.

And, at that time, I also just so happened to be writing a comic book for a guy I met playing basketball, because, you know, the Hollywood hustle sometimes works in weird ways. I showed Frank a few pages of art from that comic, and it was enough to earn his business card.

Back then, for me, a business card was a magical thing. You could feel it, put in your wallet, keep it in a drawer. They were tangible things, whereas most things in Hollywood seemed to evaporate the second you turned around. The industry can be so hard to navigate, especially early, that I took getting a business card as a sign I was at least doing something right.

Me during a “Director Moment” after I collected enough business cards

Maybe, if I collected enough of them I would, I don’t know, level up? That would have probably made more sense than how the business actually works. 

Frank told me to send him a copy of the comic I was working on when it was done. His office address was on the card. I had an address! On a business card! And a writer producer who wanted to read this comic! I would be done working at this bowling alley in no time! Spoiler again, that would not be the case.

A few weeks later, I hand delivered a copy of said comic book, hoping for another face-to-face chat to build off of. Unfortunately, unbeknownst to me, Frank’s office was closed that day. So, I slipped my comic under the door with a note, and assumed he’d get it. And then I heard nothing. For weeks. 

Wait, did he get it? How would I even know? Talk about driving yourself mad.

I followed up via email a few times, and didn’t get a response. That familiar early-days sinking feeling was happening, where I got excited by an opportunity, only for it to slip away as nothing materialized. I was a young, nobody writer who handed this guy crusty shoes, and he was a busy writer producer with young kids and a burgeoning brand. Could I be angry at this guy, who I had met once, for not having time for a twenty something kid whose comic he may or may not have found slid under his office door?

Um, yes. I was 100% angry Frank wasn’t getting back to me in a manner that suited my unrealistic career timeline. That said, now-a-days, I understand why someone like me, back then, wasn’t exactly his priority number one.  

After weeks of nothing, I decided to email him one last time. No BS, it was going to be my last follow up. I’m sure I rolled my eyes or jabbed the return key passive aggressively when I hit send on that email. I had run hard and fast into quite a few dead ends at that point. 

However, after months of nothing, Frank got back to me within minutes. He sent a very brief email that read something to the effect of, “I read your comic. Come to my office. I might have a job for you.” 

What?! 

After all that time waiting, he fires a job tease email off to me in mere minutes? I had already emotionally moved on, probably deflecting Frank’s lack of interest with some self-doubt managing thought about it being his loss. I was spun.

The truth was, that email meant the world to me at that time. If I haven’t made it apparent enough by now, starting out in Hollywood can be a daunting, soul shattering endeavor, especially if you have no connections. And I didn’t know anyone in California when I moved here, let alone in the entertainment industry. 

That email is why I’m writing this blog post on FrankBeddor.com. I honestly do not know if I would have made it to my current place in my career, where I have representation and shop projects with production companies, agencies and the studios, had it not been for me following up that one last time, and Frank actually getting back to me.

I’d like to think I would have earned my shot sooner or later, probably after some much needed seasoning, but I don’t know if or when another opportunity with a legit Hollywood entity would’ve come my way.

So, after reading that email, I quickly bought the first book of The Looking Glass Wars and ripped through it in a day. Nervous, I went to Frank’s office for our meeting. The walls were covered with Card Soldiers and Jabberwocky concept art, poster sized prints of Alyss, Hatter Madigan, and Redd, set photos from There’s Something About Mary. The shelves were stacked with various US and UK printings of Frank’s books, and a few beautiful copies of Alice in Wonderland. As a wide-eyed baby writer, it was cool as hell, but I tried to act like it was all normal to me. 

I sat across from Frank in a comfy chair and we chatted. I said a bunch of young-dumb stuff about how I wanted to write all of his comic books. Honestly, I barely knew what I was talking about and was being super presumptuous. At least I was passionate, though, and had some ideas. Which, must have been enough to not turn Frank off because I left with a chance to write a short web comic for him.

From Script to Finished Page!

There were very few guidelines to the assignment. It had to be Hatter, on Earth, during the years he was looking for Alyss. It was basically a sink or swim opportunity, where I was supposed to pitch Frank an idea, and if he liked it, he’d hire me to write it. Except, instead, in something like two days, I wrote a very weirdly formatted short story and sent it to Frank. He liked it, whatever it was, and wanted to make it, but what was he going with this weird, sort of prosey, sort of scripty thing I gave him? I was a comic nerd. Why didn’t I send him a comic script?

Frank didn’t know this then. Actually, he might even be reading it for the first time here. I had read a zillion comic books, and I had “written” exactly one, but I had never really scripted one in an industry correct way. That sample issue he looked at? I “wrote it” by sitting side-by-side with the artist and drawing out the comic panels together.

Now, I wasn’t some full-blown charlatan who had lied my way into a job. I had read a few comic scripts and written in screenplay format. Still, when Frank said yes, but make it a comic script, I literally had to buy the Idiot’s Guide to Creating a Graphic Novel, skip to the scripting section, and follow it step-by-step. I needed to transform what I gave Frank into something that his artist — who by the way was Finnish, living in Finland — could correctly follow.

Keeping score at home: I had met the guy at a bowling alley, wasn’t familiar with his work, hadn’t read the material that inspired it, was fishing for bigger work before I had even earned his trust, and more-or-less didn’t really know how to do the job I was lucky he hired me to do, a job I went ahead and sort of did without getting his go ahead for my idea. I never thought of myself as someone who did the “fake until you make it” stuff, but yeesh… 

However! I did my research. I figured it out. And being passionate was the most important thing (and always will be). That script, once correctly formatted as a comic, ended up being the Baseball short in the Hatter M. Seeking Wonder graphic novel. And that fun, little job blossomed into working on and off with Frank for years. His Wonderverse was so broad, that I could pull from every corner of my vast nerdom.

Together, we expanded his world through two graphic novels, many other projects, and countless conversations. And I went off and built my own career, aided by the confidence those experiences gave me. Frank and I still check in regularly and talk shop. It’s been a friendship that’s lasted over a decade.

I wrote this post because it’s a fun little story, but also in hopes that if some young writer finds their way here, they can take heart in the extended meet-cute Frank and I had that helped start my career. 

It’s not some impossibly uncommon Hollywood story. Countless young writers meet their Frank Beddors. The important parts are that he and I struck up that first conversation, found a mutual passion, that I didn’t quit on the opportunity, that he then took a chance on me, and then, despite not really knowing what I was doing, that I worked, and learned, for however long it took to deliver.

The experience taught me a valuable lesson early in my career, which was not to be afraid of getting in a little (or a lot) over your head. I was lucky that first job with Frank made me embrace the unexpected and the unfamiliar in pursuit of my dreams. 

Which, how fitting is that, when you think about it? The unexpected and the unfamiliar? Aren’t those the things that cause us to wonder in the first place? 

So, always follow the glow, Wonderlanders, even if you’re not quite sure where it will lead you.

Sincerely,

Curtis Clark

About the Author:

Curtis Clark grew up the son of a farmer in Wacousta, Michigan. He spent his youth spun up in a tornado of comics, novels, film, television and games. Eventually it spit him out in Los Angeles, where he writes, directs and produces, while also wrangling his two young children, alongside his amazing wife.

A Look At Lewis Carroll’s Wonderland Through the Pool of Tears

As the Royal Scholar of Wonderland, I, Bibwit Harte am tasked with peering through the Pool of Tears to see the myriad of creations inspired by Wonderland, from Lewis Carroll’s fanciful novels, Alice’s Adventures in Wonderland  and Through the Looking Glass first published in 1865, to the 1951 animated movie Alice in Wonderland from Disney to the very accurate 2006 New York Times best-selling series The Looking Glass Wars with Princess Alyss by Frank Beddor.

Today we will explore the influence of The Royal Millinery on other worlds. You maybe quite surprised to learn that in the less imaginative realms, hats are never imbued with Caterpillar Thread and are very rarely used as weapons. The only acts of violence ever ascribed to this mundane millinery is they are on occasion referred to as “Killer Looks.” (chortle)

In spite of their less dangerous designs, several hats in this world (and their owners) have become rather famous. Here is a little list…

The Venus of Willendorf’s Woven Cap

While there are not many official records of hats before 3,000 BC, they probably were commonplace before that. The 27,000-to-30,000-year-old Venus of Willendorf figurine appears to depict a woman wearing a woven hat. Similar sculptures, first discovered in the nineteenth and early twentieth centuries, are traditionally referred to in archaeology as “Venus figurines”, due to the widely-held belief that depictions of women represented an early fertility deity, perhaps a mother goddess. Hats have been around since the time of the mastodon.

The Cap-Crown of Queen Nefertiti

Nefertiti was a queen of the 18th Dynasty of Ancient Egypt, the great royal wife of Pharaoh Akhenaten. Nefertiti and her husband were known for a religious revolution, in which they worshipped solely the sun disc, Aten, as the only god. With her husband, she reigned at what was arguably the wealthiest period of ancient Egyptian. Nefertiti favored a flat-topped version of the blue war crown (or Cap-Crown.) The famous bust of Nefertiti depicts her wearing this crown. The crown linked the queen with the goddess Tefnut, a solar deity and it looked stunning! (Note to self: I should look into getting a similar hat made for Alyss of Wonderland.)

Archibald Armstrong’s Jester’s Cap

When King James I  succeeded to the English throne, Armstrong was appointed court jester. Archibald modified the traditional “donkey eared” fool’s cap and added bells and a third floppy cone creating the now famous (or infamous) Jester’s Cap.

His influence was considerable and he was greatly courted and flattered, but his success appears to have gone to the jester’s head. He became presumptuous, insolent, and mischievous and was much disliked by the members of the court, but James favored him and as long as he pleased his audience of one, he was able to keep his head (and his hat) safely attached to his body. Certainly, if Archibald had been in the Court of Queen Redd of Wonderland, she would have said, “Off with his head!”

Marie Antoinette’s Boat Hat

Marie Antoinette  was the last Queen of France prior to the French Revolution and before she lost her head, she was known for her outlandish hats and hairstyles. In Paris, following a maritime skirmish in 1778, women of fashion commemorated what they saw as a French victory against the British with the Coiffure à la Belle Poule, an elaborate hairstyle containing a replica of the ship itself.

The Queen was not to be outdone by her courtiers, so she created the most lavish nautical fascinator of them all. Certainly, this elaborate headpiece did nothing to silence claims of her extravagance. Queen Genevieve of Wonderland (Queen of Hearts) would have never tolerated such decadent behavior! Her royal subjects were her priority.

Napoleon Bonaparte’s Bicorne

French emperor Napoleon understood the importance of branding, and throughout his life used imagery and clothing to convey power and status. His most famous hat was his black-felted beaver fur bicorne. The imposing nature of this chapeau gave the Emperor some much needed stature. Traditionally, the bicorne, with its distinctive deep gutter and two pointed corners, was worn with the corners facing to the front and back, but so as to be distinct on the battlefield, Napoleon wore the hat sideways so that anyone scanning the crowds would instantly know him by his jauntily angled hat.

The conquering ways remind this author of the Wonderland’s ArchEnemy,  King Arch of Archland.

Davy Crockett’s Coon Skin Cap

Davy Crockett was a celebrated 19th-century American folk hero, frontiersman, soldier and politician. Even after he left his deep woods home to become a member of the United States House of Representatives, he still would frequently don his signature cap to remind himself (and others) of his humble beginnings.  Coonskin caps are fur hats made from the skin of a raccoon, with the animal’s tail hanging down the back.

The caps were originally worn by Native Americans, but were appropriated by 18th century frontiersmen as hunting caps. Davy Crockett, who is frequently depicted wearing a coonskin cap, seems to have had an authentic connection to them. He wore the hat during the famous Battle at the Alamo and the presence of the coon skin cap allowed his battle torn body to be identified.

Abraham Lincoln’s Stovepipe Hat

Sixteenth president of the United States Abraham Lincolnwas exceedingly tall at 6 foot 4 inches, and the addition of his famous top hat accentuated his height even further. Lincoln used to keep papers and speeches tucked inside his hat and he would fish them out when needed, making his hat not just a natty bit of headgear but also a useful repository. The most famous of Lincoln’s stovepipe hats was the very one he wore on the night of his assassination at Ford’s Theater on April 14, 1865. Gentle readers, you may recall that Hatter Madigan once instructed President Lincoln on the art of Hat Throwing. This adventure was chronicled in the thrilling tome, Mad with Wonder.

Winston Churchill’s Homburg

British wartime prime minister Winston Churchill was renowned for his hats. Churchill himself once wrote a humorous essay on the subject, remarking that as he did not have a distinctive hairstyle, spectacles, or facial hair like other famous statesmen. Cartoonists and photographers of the day focused instead on his love of headgear.

Churchill wore a number of styles of hat, from top hats to bowler hats, but he is probably most famous for his homburg. The homburg is a felt hat with a curved brim, a dent that runs from front to back, and a grosgrain ribbon that forms a band. On the subject of homburgs, we are all very familiar with the Wonderland resident, Molly Homberg. Churchill certainly would have admired her spirit!

Jackie Kennedy’s Pillbox Hat

Jacqueline Kennedy Onassis was one of America’s greatest style icons, and one of her most memorable looks was the pillbox hat perched on the back of her head. Kennedy had many versions of the pillbox, but the most famous is the watermelon pink one she wore with matching pink Chanel-style suit on November 22, 1963, the day President John F. Kennedy was assassinated. Jackie, who had been at his side in her pink suit, was covered in her husband’s blood. When aides repeatedly suggested she change her clothes, according to biographer William Manchester Jackie refused, saying “No, let them see what they’ve done.”

If you enjoyed my little Hat History, please return soon for more posts about all things Alyss (and Alice) in Wonderland!

Lewis Carroll, the Writer that got Alice In Wonderland Wrong

Charles Lutwidge Dodgson, who gained international fame as Lewis Carroll, was born in Cheshire, England in 1832, the eldest son of a conservative, middle-class Anglican Family. A shy loner with a pronounced stutter, a sufferer of migraines and seizures, he was a precocious, scholastically gifted boy, and success in school came easily to him when he chose to apply himself; the young Charles, it seemed, was prone to distraction, to reverie. Nonetheless, his talents brought him to Oxford University’s Christ Church, where, in 1855, after earning first class honors and a B.A., he was awarded a Mathematical Lectureship. In 1861, he became one of the youngest deacons in the Anglican Church.

By all accounts, Reverend Dodgson was an austere, fastidious man, a puttering, fussy bachelor inclined toward conservatism in politics, religion, and social mores. His daily routines were precisely choreographed and adhered to; he inevitably took the same routes from his rooms in Christ Church’s Tom Quad to lecture halls and back again. He made diagrams of where guests sat when they came to dine with him, noting down what they ate so that the next time these guests visited, he wouldn’t serve them the same dish again. He summarized and catalogued every letter he wrote or received.

Such a man would seem an unlikely candidate to author Alice’s Adventures In Wonderland, whose enchanting nonsense has held the world under its whimsical sway for over 150 years and counting. But the history of imagination is filled with surpris­ing paradoxes, and Charles Lutwidge Dodgson was the greatest paradox of all.

Respected, comfortable, with a small circle of friends, contentment yet eluded the thirty-year-old Oxford Don when, in 1856, Dean Henry Liddell arrived at Christ Church with his family. Until then, a shadow of disappointment had hung over Dodgson’s life—he couldn’t have articulated why—but it began to lift as he befriended the Liddells and their three daughters, Edith, Lorina, and Alice.

Especially Alice, the youngest child, an adoptee.

Dodgson had always been more at ease with children than with adults, but in Alyss’s presence, the constriction inside him relaxed to a greater degree; the guardrails he’d so carefully set around his daily life wobbled. He found himself again drifting into reveries, as he hadn’t done since he was a boy.

It wasn’t anything untoward that drew him to Alice Liddell. She had an ineffable quality, an intriguing coupling of wisdom and innocence in her look and manner. Oddly, Dodgson felt as if he might learn from her—he didn’t know what exactly, only that whatever it was might dissipate the mysterious pall he felt over everything he did.

One afternoon, he took the Liddell girls out for boating trip to Godstow. They stopped to rest, and while Edith and Lorina played in the shallows of the River Isis, as that particular stretch of the Thames was called, Dodgson lounged on the grass with Alice.

“Don’t you want to join your sisters?” he asked.

“No,” she replied.

Dodgson thought this a charming answer. “But why not?”

“After you’ve been a princess and had your queendom taken from you, as I have, it’s hard to get excited about a mess of fish and weeds in a river.”

Dodgson laughed. “Whatever are you talking about?”

Alice explained that her real name was Alyss Heart. She spelled it out: “A-l-y-s-s.”

Her mother was Queen Genevieve of Wonderland, she said. She and the queen and a party of courtiers had been celebrating her birthday in Heart Palace when her nasty aunt Redd, a grimacing woman with flaming red hair, attacked. It was a horrible, bloody scene, with Redd’s raging card soldiers fighting Queen Genevieve’s chessmen.

“Card soldiers?” Dodgson interrupted. “Chessmen?”

Alyss tried to describe the platoons of fifty-two soldiers who would lie in a stack before being dealt into action, then unfolded and fanned out to fight. She did her best to present him with a picture of the pawns and rooks and bishops under General Doppelgänger’s command, but what she really wanted to tell Dodgson was that she didn’t know what had happened to her mother, though she assumed the worst.

“You don’t know?” Dodgson gently pressed.

No, Alice explained, because Redd’s most fearsome henchthing, The Cat, had tried to kill her and she’d had to jump into The Pool of Tears with royal bodyguard Hatter Madigan, a graduate of the Millinery, where Wonderland’s elite security personnel trained. She had lost Hatter in the pool but was sure he would find her eventually and take her back to Wonderland.

Alice went on to tell Dodgson everything she still remembered about Wonderland: the giant mushrooms, caterpillar-oracles, tarty tarts, and looking glass travel via something called The Crystal Continuum.

“Let me see if I understand you correctly,” he said. “People can travel through looking glasses, enter through one and exit from another?”

“Yes. I’ve tried it here but none of the glasses work.”

“Tell me more about this Red Queen of yours,” Dodgson encouraged, thinking of Queen Victoria, her excesses and intimidations.

He took out pencil and paper, taking notes and sketching, as Alice went on at length about Redd—and about The Cat, and Hatter, whose top hat flattened into a weapon of spinning

blades. She described how General Doppelgänger could split into the twin figures of General Doppel and General Gänger, and each of them could then split into twins as many times as they wanted. She talked of her tutor Bibwit Harte, an albino two meters tall, with bluish-green veins pulsing visibly beneath his skin and ears a bit large for his head—ears so sensitive that he could hear someone whispering from three streets away. And, her voice dipping low in a sadness different in character from when she talked of her mother, she told Dodgson about her best friend, Dodge Anders, son of Sir Justice Anders whom the Cat had killed in front of her eyes at her birthday party.

Dodge. Dodgson.

He was the boy. The reverend was flattered, though he believed Alice’s stories to be the result of hardships endured before the Liddells had adopted her. It was likely, he supposed, that whatever had befallen Alice’s birth parents and landed her at the Charing Cross Foundling Hospital had been quite traumatic, and that she invented stories to cope with the horrors of her life. Mere stories? No, an elaborate fantasy life—harsh, to be sure, but startlingly inventive.

“You have the most amazing imagination, Alice,” he told her.

“I did,” she huffed. “It hasn’t been so powerful since I’ve been here.”

Charles Dodgson, energized and inspired to a pitch he’d never been before, didn’t realize it then, but with his pen he was going to try and bring some relief to this delightful child, this product of unknown traumas. He would transform her gruesome, violent imaginings into the ridiculous, rendering them laughable rather than things to be feared. And if, by turning Hatter Madigan into the Mad Hatter, General Doppelgänger into Tweedledee and Tweedledum, and Redd’s assassin—who could morph from an ordinary kitten into a murderous humanoid with feline head and claws—into the grinning Cheshire Cat; if while Dodgson did all of this, he also managed to satirize the current state of British politics and its major actors, well, all the better.

Dodgson—let’s call him by his nom de plume, Lewis Carroll— had written poems and little satirical works before, even pub­lished a few of them in journals he deemed not very special. (It’s curious to note that he’d first used the pen name Lewis Carroll the year he met Alice Liddell, for a poem he published in 1856.) Still, not Carroll’s earlier publications, not mathematical puzzles, not the beauty of logic, had fired up his imagination as much as transforming what he deemed to be Alice’s make-believe into a playful adventure novel.

He saw Alice regularly over the next several years, during which he found himself aglow with creativity. The world looked somehow brighter, more vibrant, and for the first time he thought himself to be truly happy. He had already taken up the new art form of photography (again, curiously, in the same year that he met the Liddells), but now his explorations of that medium increased until he was something of a master. He cre­ated an invention for taking notes in the dark, as well as an early iteration of a game that we know today as Scrabble. In mathe­matics, he developed new ideas in linear algebra. And when not exercising his imagination in these various ways, Carroll found time to befriend gifted artists and scholars—John Ruskin, Dante Gabriel Rossetti, and numerous others.

With the manuscript of what he had titled Alice’s Adventures Underground at last finished, he presented it to Alice Liddell one afternoon on the banks of the River Cherwell. It was wrapped in brown paper and tied with a black ribbon. Dodgson watched anxiously as Alice untied the ribbon and carefully removed the wrapping.

“Oh!” the girl exclaimed, her mouth flat-lining in displeasure.

What sort of title was Alice’s Adventures Underground? She wanted to know. And why was her name misspelled when she had correctly spelled it out for him? And who was Lewis Carroll?

“I thought it would be more festive than saying it was by me, a stodgy old reverend,” Carroll said.

Festive? She had told him little that was festive. Alice opened the manuscript. Its dedication took the form of a poem, in which her name was again misspelled. Her gaze caught on one of the stanzas:

“The dream-child moving through a land

Of wonders, wild and new,

In friendly chat with bird or beast –

And half believed it true.”

“Dream-child?” she murmured with growing concern. “Half believed?”

She turned to the first chapter. Carroll noted at once the quiver of her bottom lip, how she slumped as if she’d had the wind knocked out of her.

“I admit that I took a few liberties with your story,” he said. “Do you recognize the tutor fellow you once described to me? He’s the white rabbit character. I got the idea for him upon dis­covering that the letters of the tutor’s name could be made to spell ‘white rabbit.’ Here, let me show you.”

Carroll took a pencil and small notebook from the inside pocket of his coat, but Alice didn’t want to look.

“You mean you did this on purpose?” she asked. He had purposely twisted her memories—which, with his help, she had hoped to prove to everyone were true—into this foolish, non­sensical book?

“I . . . I thought it . . . m-m-might help you,” Carroll stammered.

Alice jumped to her feet, yelling. “No one is ever going to believe me now! You’ve ruined everything! You’re the cruelest man I’ve ever met, Mr. Dodgson, and if you had believed a single word I told you, you’d know how very cruel that is! I never want to see you! Never, never, never!”

She ran, leaving Carroll at the riverbank. Shaken, unsure of what had just happened, he picked up the manuscript, still warm from Alice’s touch, fearing that this was as close to her as he’d ever be again.

The publication of Alice’s Adventures in Wonderland met a lukewarm reception at first, but within six years, it became a phenomenal commercial success. “Lewis Carroll” was famous, and the book’s royalties gave Dodgson the financial security to do whatever he wished. Although pleased by the public’s reception of his work, he preferred to remain at Oxford, teaching, serving tea to close friends. In short, he preferred to live modestly as a retiring bachelor.

Some of this might have had to do with depression. Alice was making good on her word never to see him again, and all friendly association with the Liddell family had ceased on June 27th, 1863. Without the enlivening spark of Alice’s presence, the pall Dodgson had known before meeting her resettled over his life. His interest in photography deserted him. He invented nothing.

He had heard through gossip that Alice resented what fame had come to her as the purported inspiration for Adventures. How it must have galled her, he supposed, that in betraying her memories with his book (as she believed), he had thrust a fame on her founded on absurd falsehoods. He gave up hope of ever spending time with her again and uncharacteristically destroyed four entire volumes of his diaries and ripped pages out of others— pages that detailed afternoons with Alice Liddell, as well as the day he broke with the whole Liddell family.

Life trudged on. Dodgson pursued his mathematical interests and wrote poetry, but the efforts felt mechanical. By 1870, after the death of his father had darkened his overall mood even further, he recognized that he needed Alice, his “dream-child” (he thought the designation a compliment), to help him—not just to live as fully in his imaginings as he’d once been able to, but also for the strength she somehow gave him to contend with a world full of grotesqueries, corruption, and petty vanities.

Dodgson never would have believed that Alice Liddell was one day going to return to him: a young woman with enlightened notions, on the cusp of marriage, who would not only forgive him for his so-called betrayal but recognize that, because of the fame his book had brought her, she had an opportunity to effect substantive societal change that wouldn’t otherwise have been available to her.

Nor would Dodgson have believed that, unexpectedly buoyed by Alice’s company, he’d again find himself writing as Lewis Carroll. Through the Looking-Glass, and What Alice found There, a sequel to Adventures, was published in 1871. A nonsense poem entitled The Hunting of the Snark entered the marketplace in 1876.

All of these things came to pass, reminding Dodgson that, in his best days, he had always preferred to believe in the impossible. Happily for him, another impossible thing happened: as Miss Alice Liddell recruited Charles Lutwidge Dodgson into her schemes for bettering the lives of the unfortunate, he discovered a world that even Lewis Carroll couldn’t have imagined.